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« on: October 10, 2013, 11:16:05 pm »
wspeak with words ``which must work themselves through a grating/ with immense effort.''And out of the posttotalitarian condition have risen writers of world stature. Goldfarb is excellent on V'aclav Havel, the Czech playwright. Havel spent almost four years in prison for his contributions to Charter 77, an organization that monitors humanrights violations by the Czech regime. Goldfarb shows how Havel has provided an example of ``living in truth.''Living in truth is difficult where the very idea of truth is questioned. As the letters he wrote to his wife from prison show  published in English as ``Letters to Olga''  Havel developed a philosophical vocabulary sufficiently oracular to pass the censors, but magnificently charged with piety toward ``Being'' as it's understood by continental philosophy at this time.The letter of May 1, 1981, illustrates the range of Havel's epistolary art. May Day, as Kundera points
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 naticism, and reactionary nationalism.''The show's inspiration, they explained, came both from the Puccini opera ``Madama Butterfly'' and the 19thcentury French novel ``Madame Chrysanthemum,'' by Pierre Loti, which spawned the opera as well as a previous short story and play. This 1980s incarnation, however, was to be set not in Nagasaki, but Saigon at the close of the American presence in the Vietnam war.``It will be  we hope!  what `West Side Story' was to `Romeo and Juliet,'' observed the librettist.On a personal level, though, Boublil and Schonberg hoped for something more. ``Les Miz,'' as the show has affectionately become known, succeeded worldwide beyond their wildest dreams. But, they explained, they wanted to prove to themselves, as much as anyone else, that their first major hit wasn't a fluke  that they were a stagemusical duo to be reckoned with.And so they have. The audience response to ``Miss Saig
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 financed by loans from AID and the Brazilian government.At what is perhaps Bolivia's most advanced experimental station, veterinarians and agronomists paid by Tokyo are studying ways to boost yields through changing crop rotation, varying mixtures of herbicides and insecticides and introducing new strains of corn and soybeans.``We think we can triple the amount of milk that cows produce per day,'' said Masatoku Okuno, the experimental station's director, referring to another study. ``Increasing milk production would benefit not only the colony but all of Bolivia.''Mr. Okuno is especially excited about plans to create a center in Okinawa for the introduction of artificial insemination. ``Bolivian cattle are of poor quality,'' he said. ``With artificial insemination, we can improve meat quality, fatten cattle more rapidly, and make cattle more resistant to disease. Maybe Bolivia could even begin exporting meat.''
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 d on seamless white sheet, trying to find his public persona, the inyourface glamour of these pictures owes to the curt visual language of television.Photography in the age of TV often appears superficially intimate, responding to the television closeup as a visual metaphor for truth. Hence, on one page of this compendium, you find yourself a slim inch from the business end of John Belushi's cigar soon after you can study Bob Dylan's thumbnails up close and personal.Few of these photographers, fans themselves of the rockandroll and entertainment scene that Rolling Stone has covered, distance themselves physically or spiritually from their subjects. No jaundiced, soreeared photographer on deadline for the local newspaper would have made pictures of rock celebrities like those of Baron Wolman, Rolling Stone's first staff photographer. Wolman managed a portrait of Little Richard, who, despite his volcanic showmans
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